The idea that one could easily take a short train trip and spend a weekend in Paris was always one of the appealing things about the London move for me. So that made it an obvious choice for my birthday weekend. We made the reservations before the recent terrorist attacks and never considered cancelling them. We figured, I think correctly as it turned out, that Paris would be one of the safest places in the world thanks to government overreaction to the atrocities. The police were everywhere, with security tightened further, at least where we were, by the imminent arrival of countless heads of state for the Climate Conference, with countless guns, cars, trucks, boats along the Seine and all of the police toys in evidence.

It was pretty miserable weather. Chilly, windy and grey. The streets were more subdued that usual, thanks to the enormous police presence. But Paris was still absolutely gorgeous. Much prettier than London, although, in fairness, Paris has the advantage of not having been ruthlessly bombed during WWII. But I think that Paris was also one of the early adopters of building codes and urban design principles, which sort of suits the French OCD-like personality. London, in contrast, has always grown more organically, literally layer upon layer, helped along by periodic disasters like the Great Fire and the Blitz.
Taking the Eurostar train is a pleasure, despite starting the journey by going through two customs consecutively. (I wonder where you are when you are waiting on the line in the hundred feet between the English and French customs officials?) On the way back, Judie upgraded us to “premier”, which comes with a snack and wine. All very civilized, especially compared to the horrors of modern plane travel.
We were wondering if the stories of extensive cancellations would impact our trip and perhaps it did. When we checked into the Buddha Bar Hotel (an expensive hotel where we normally would not have stayed, but which Judie had found on sale on one of those websites like Orbitz) and mentioned we had come for my birthday, we were upgraded to an absurdly nice room that should have cost 1500 Euros a night. I am sure that it was because the hotel was surprisingly empty. See the photo below.

We went out for a stroll. The hotel was right off the ridiculously upscale Rue St. Honoré and near to the Place de la Concorde. Holiday decorations were already up. Very tasteful ones by the hotel, with pretty square lanterns hanging above the street. The Place de la Concorde had a garish ferris wheel and other lights and the Champs Élysées had pulsating lights on the trees lining the boulevard There was a Pére Noel Fair going up from the Place de La Concorde towards the Arc de Triomphe,adding more lights and decoration (and American Christmas music sung by Sinatra and Bing and others, which added a slightly surreal touch). We wandered through it. It seemed very French, with tons of cheese and charcuterie sellers, in addition to the vendors hawking ornaments and other holiday merchandise. There were stands where you could buy Escargot Bourgogne or Foie Gras sandwiches or melted cheese served any number of ways and lots of wine. If we didn’t have reservations for a special meal, we would have been tempted to stuff ourselves. It was hard not to think, as we walked through the masses of Parisians and tourists of all ages, that this would be a great terrorist target. I imagine this had to be in the back of everyone’s minds, but everyone was having a great time.

Later that evening, after getting dressed up at the hotel we walked over to Lasserre for dinner. It is an old, two-star Michelin restaurant at which people like Salvator Dali, Audrey Hepburn, Andre Malraux, Marc Chagall, and Jean Paul Belmondo were regulars. It was a memorable evening and not just because it was so expensive. The restaurant itself was beautiful, from the small, brocade covered elevator that takes you from the reception room to the second-floor restaurant, to the multilevel room itself, decorated with yellow wallpaper, chandeliers and orchids everywhere. The ceiling had a painting of nymph-like women in diaphanous dresses. When we had been seated and drinking a glass of champagne, the ceiling opened up and we could see the sky (and a crane, alas) and feel the cool air enter the room. As quickly as it rolled open, it closed, a routine that was repeated about every fifteen minutes throughout the night. The waiter explained that the ceiling had been put in when everyone smoked, to clear the room of the smoke from all of those Gitanes. Now they just do it for tradition and for the fresh air, since one cannot smoke in Parisians restaurants now. We had the Tasting Menu and food was lovely, although not etherial. After looking at the very pricy cartes de vin, we went for the matching wines, which were good, with two memorable ones, a 2004 Puligny Montrachet (I would never had dared order a white wine that old) and a dessert wine from Southern France that was wonderful. It was really just the whole over-the-top experience, the waiters, the attentive service, the beautiful room, the moving ceiling, people watching at the other tables, and all of the little extras that came with the meal, that made the night memorable.

The next day, we slept in, recovering from our emergency room experience the night before. We walked over the Museé D’Orsay, a former train station which now houses a collection of Impressionist and Post-Impressionist art. We began the visit with an absolutely delightful lunch the museum restaurant, which was in an ornate room with a painted ceiling that had somehow been a part of the original train station. (It really came as no surprise that the food in a French museum would be very good.) The collection at the museum has just an incredible number of the iconic paintings of Renoir, Degas, Van Gogh, Monet, Manet, Toulouse-Lautrec, and all of the rest of that group of artists. You walk around and turn a corner and there is another one. I think that I could get a little closer to the paintings than in US museums. I got close ups of the brush strokes without setting off the alarms that would have sounded at MoMA. It wasn’t all that crowded, which I assume must be an intentional crowd control effort by the museum, since we had to wait on line to get inside. Since I have been painting, I think I look at these museums slightly differently. I marvel even more at technique and look for ideas. One final thought: we had recently seen a lot of relatively mediocre Renoirs (at the Barnes in Philadelphia and other museums), lots of the nudes that he seemed to do towards the end of his career (perhaps to make money from rich Americans?). But here, there was one spectacular Renoir painting after another, reminding me of just how great he was and confirming his place as the father of Impressionism.

So Paris is alive and well and beautiful. We plan to return with our kids for a few days right after Christmas.